#2 have a green tinge that looks more like Caribbean ocean than an opaque, dense, heavy, or metallic colour. The jeans would be hard to slide into the other rows. In #1, we see the brightness as a lively blue, with more colour pop and less sense of softness (visible gray) than Summer. Secondly, I make colour combinations to decide how well the blue works. If the blue is too bright, say, or too dark to be reasonable with the palette, it belongs with another Season. With blue, as it warms, it can become greener as yellow mixes in like turquoise, or violet as red mixes in, but this is harder to apply in practice than for yellow or red. My solution is to focus on what I trust myself to know, meaning the soft to bright aspect and the light to dark range. I find the warmth or coolness of blue less predictable than other colours. Traditional colour-wheel primary blue is cool but there are thousands of blues. Your odds are better using the entire strip than aiming for an identical match for a single colour.ģ. Your natural colours have 3 properties, a particular warm-cool setting, a soft-bright setting, and a certain light dark range. Look for a colour to fit or belong with the Season palette strip of similar colours. Taking that one step further, stay inside the value range for blue, which can go darker than say yellow, which is a lighter colour by nature.Ģ. Stay inside the value range, meaning the light to dark range for the Season. For all Seasons, ideas that we’ll see in various places:ġ.
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